Either I’m making the coffee too strong or every video on my X feed is now played at double speed. I noticed it a few weeks ago - interactions and calamities were sped up here and there, but for the most part time unfolded at a recognizably accurate pace. Now nearly all the videos have movements as herked and jerked as a Keystone Kops short, and the voices are clipped shrill, and chipmunky. It makes me back out right away, lest this cloud of electrified gnats fill my brain completely, but I imagine some people like it because it saves time and allows them to move to the next reel. Because it’s always about the next one.

The general effect of this is bad, bad, bad: the addict-tok audience will get even more impatient with Actual Life. I know I feel twitchy just watching five seconds of these things. It’s like a pliers reaching in my head and finding a nerve and twisting it tight. When you add the flood of vagueposting - people who just post “well that’s it, we’re cooked, no coming back from that” and hope you will click on the post to see more details - and the rise of these odd multi-part stories that most certainly did not happen except in blue, you wonder whether there’s just a point where everyone backs off and gives up.

Ha ha ha that’ll never happen

Only four more trips to Zork Storage and I’m done. Tossed out a lot yesterday, and had no problem doing so. For some reason in 2005 I decided to be a product design archivist to assist the future, and saved several boxes and fast-food containers, thinking I’d someday release them into the Great Stream. Let us just say that my feeling of obligation about such things has cooled and thinned.

But I did take pictures. Ladies and gentlemen, I give you a 21-year old Kids Cuisine meal.

 

These were horrible, but I had them on hand in case of emergency. This one I know I saved because of the tie-in.

 

 

You know the big robot is smart and eager but also unsure of himself and in need of friends who have outsized personalities to make his dreams come true, right? And you know the smaller robot is a sassy gal who quips a lot and takes no guff and is braver than anyone, right?

CHARACTER SHAPED NUGGETS

 

 

THE NUGGETS

 


I remember the movie, somewhat. Visually brilliant, as you might expect: William Joyce was involved. When it was announced we thought it would be like Rolie Polie Olie with a 100-mil budget. It certainly had the Joyce look.

 

 

 

Did I mention it had Robin Williams? And that he was a fast-talking robot? Uh huh.

We watched it once. Olie, Defender of Fun, a hundred times.

Worst day in a long time, and I’m wondering if it’s worth trying to figure out why. Or just accept that these are going to appear at regular predictable intervals, regardless of what one did or did not do.

Perhaps it’s an inevitable downfall from the elation of Tuesday, which had a lot of work, feeling of productivity, happy supper, general peace, ice cream, Widow's Bay, and feeling as though things were in hand. Then I woke at 6:30 again, somewhat grateful to be up, since the dream had been bad. I dreamed that my wife and I were supposed to assassinate somebody, and I was really unhappy about it. Eventually, I just said no. We’re not going to do that, just like we didn’t do it the time before. Yes, I put my foot down: we were not going to murder someone. I felt a great sense of relief.

On the other hand, it was 630. I slept a bit more, and woke remembering that I was going to have a phone call with the new house owners about some things they couldn’t figure out. It depressed me in advance. I’m going have to go back there. I don’t want to go back there. Everything is more or less predicated on the previous life evaporating entirely. But no; back to the old house. Also: got a chatty but flat letter from the X describing the last few days with family in Arizona. I suppose that was part of it. Unmoored and solitary.

In the best of days, I know that this is for keeps, that I can do it; and the worst of days I know that it is for keeps, and I doubt that I can. But what exactly is it? Assembling a new life out of this situation; yes, but I’ll tell you something amusing: I am now nostalgic for last fall. Even for the last winter, when the nightmare was grinding away every day.

At least I was there, and at least I had company.

 

 

 

 

   

 

Wikipedia: "The area of what is now Postville was first settled in 1843 by pioneer settler and mill worker Joel Post, hence the name of the city." Yes, I imagine so. "Stephanie Simon of the Los Angeles Times wrote that, until circa the 1990s, 'Postville was basically all white and all Christian.' It's now 43% Hispanic / Latino.

City motto: "Hometown to the World."

A standard-issue commercial block:

The name block tells us who was behind the enterprise

This helps with newspapers, where we have an ad from the day when the local press was all German . . .

 
 

 

 

Grok notes:

  • "Stickereien" = embroidery/embroidered goods.
  • "KLEIDERSTOFFE" = dress materials / fabrics for clothing.
     
  Eventually, the paper search turns up news of a change. Gone now, of course.
     

 

You know there’s an old stone building with a solid turret behind the siding.

Wonder if anyone at the time thought this was a bad idea.

From the Wishing Well . . .

To the Wailing Wall.

Guys. Don’t do this.

A 30s Moderne building done on the cheap, brick instead of stone. The corner windows were the new modern innovation.

The roof was added later. It's not a great look, but let's just say . . . it could be worse.

Here's an example of how it can be, and is, worse.

 

T'was

T'aint

Yoking disparate structures together never works. It severs the second floor from the ground band makes them look as they’re held prisoner.

Maybe we could figure out the circumstances that led to this thin sliver. Maybe not.

Poor guy's squeezed like a Caspar Milquetoast on the rush-hour subway.

 

Something’s amiss with this block. The facade of the long building was the result of stripping out the old facade, but they left the bay window’s gewgaws intact.

It was the bank.

The ad looks like a funeral notice.

A faded mural commemorating a bit of local history.

 

Circus history site:

Circus history was made back in 1912 at Monona. The Gollmar brothers, cousins of the famed Ringling brothers, had one of the biggest crowds in their history when they sold over 3,000 tickets to a matinee performance - in a town of 875 people.

However, circus history was soon to be pushed to new heights, unheard of before 1915, or since. It happened when the Ringling Brothers' circus performed in Postville.

They may have passed this sign.

But we'll never know.

Oh, the Iris theater we were going to find? Closed long ago, and while the building supposedly still stands, it's in a block the Google camera declined to visit.

 

That will suffice for Thursday. See you around.

Oh, look!