Stepped outside after lunch and found Colt Luger having a smoke beneath the four big vents on the north side of the building. Since he’s in maintenance, and knows this colossus up and down, I asked what they were for. One of them, I remember, is the vent for the backup diesel generators that power the sprinklers. Water comes in from the city at a certain pressure, then they boost it and split it into two: the fire suppression system, and the water that comes out of the taps. I mention this because I learned a new term: the water from the taps is domestic water. Which implies that fires are put out by imported water, although of course that’s not the case.
I will wait the rest of my life for the opportunity to talk to someone in building management and ask if they split the water to fire and domestic. I am confident that day will come.
I have a piece coming up in the paper - and no, I still don't forgive any of them - about old unlamented buildings. We always boo-hoo over the landmarks, but what if the curious unloved and unsung structures? I found this detail from a picture of the old First Federal. I had to clip and enlarge and fix. I just love it.
Do prefer this world . . . or its replacement?
I'm split. I'll take either. There's a more interesting downtown behind the first one, though. The picture might look dark and ominous, but it wasn't - just a few feet away were the bright and colorful windows of Woolworth's, and to the left, a huge wall of granite with a two-story clock face. There were luncheonettes everywhere, and you could get a hambuger and a cup of coffee, or maybe just a cup of coffee, or perhaps a hamburger, with some coffee afterwards to go with your pie. A world of opportunity and choice!
You'll have to read Saturday's website to see the full picture. Or not.
Other than that, a good Monday, and a decent enough end to a month the back of which I am glad to see. I felt the same leaving February, too. 2025 has my attention but not my affection.
I know it's ridiculous to regard calendrical demarcations as having any meaning, but we do it anyway.

I haven't watched a Dragnet in a while, because I burned out on them. The only vintage TV I've watched has been opening credits, because that's about all I can take of the ancient sitcoms. The falseness, the tropes, the laff tracks. Oh no they're going to find out he's hiding a Martian! Whew, dodged that one. Oh no they're goimg to find out he's hiding a Genie! Whew that was close.
This was one of the last Dragnet pix I snapped. This is the city, but I'll be damned if I know where.
You in the third row, with your hand up?
"Wilshire, sir!"
Very good. And the cross street? No? Let me tell you, this is the second time I’ve gone up and down Wilshire looking for a spot. Or down and up, although that doesn’t sound right. I find many interesting things, but never what I was looking for. You'd think that tower on the left and the trio of identical buildings on the right would help. Can't find it.
It's never a wasted trip, because I find other things.
Late International Style, Lever-House type, with that overhang they’d come to adore for a while. I love it.
This was a surprise:
The Ahmanson Bank and Trust. 1959. “Dual mosaics at the front entrance depict scenes of two parents enjoying nature with their children.”
The back has some stained glass windows. On the side:
It made the papers when it was finished. Rightly so! An idiosyncratic piece of modernism.
Moving down the street . . . uh
Oh, it's art. Old disused streetlights. They are, or were, next to this. I had no idea, not being a Los Angeleno.
It's a museum. Or rather, it was. Ripped down in favor of this overpass-amoeba:
And that's a pity. While the original might not seem particularly special, I'm now a big fan, in retrospect. It was pure perfect 60s modernism. Look at that thing, floating on pools of water.
Down the street some more . . . whoa
Can you guess what that was?
It was . . .
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A department store.
What a world we had. |
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