I have some travel queued up. It’s all weddings. I look forward to them, but weddings are not vacations. Right? For men especially. We’re remoras on the Girl Ship. On the other hand, most vacations rarely find you at 11 PM in some nice destination reception area taking another glass off champagne off the passing tray and feeling all warm and familial and happy, waiting for the inevitable dance tune to produce mass karaoke to Neil Diamond songs.
So it’s Sweet Caroline, then what? Bum bum bum? Dum dum dum? Pum Pum Pum? I wonder if there’s guidance on the matter. Could Google. Would get an AI overview, probably. Could ask Gemini. I did. It said “they usually sing ‘good times never seemed so good,’ which isn’t part of the song but is fun to sing.”
Whereupon I asked don’t they sing “bum bum bum,” and Gemini said “you’re right, people usually sing bum bum bum, it’s a fun part of the song where everyone joins in.”
So not only was it wrong the first time - that lyric is in fact in the song - it change its, er, tune when I made my second inquiry. It does this a lot. Says something wrong with breezy confidence and then agrees with my correction.
I was talking with Wife about AI tonight, and how I really don’t want doctors to rely on it, and she noted that it was helpful for finding some legal citations, as long as you had the link to the primary source. True. I suppose. But: we were all trained by Google to accept the first link as the best, right? Then the first link became an ad, and we transferred our trust to the ad. Then the first link because the AI summary, which has a vestige of the remaining amount of trust we used to put in the first link.
Anyway. Would you trust your travel plans to AI? Reservations, shuttles, hotels, the rest? I’m sure there are sites that already do it. Seamless series of pulses flashing through fiber and scattering through CPUs, databases contacted and consulted, plans made, and Ding! It only took three seconds, but the website has a fake progress bar or clock to make you think it’s actually working. We’re not at the point where we trust instantaneousness for complex things, but give it a year.
I was using a site the other day that had an hourglass to indicate the passage of time. Makes you wonder what objects from today will be recognizable icons in 50 years, like the way we use the floppy disk icon to save, or the camera icon to take pictures. I’m not sure there will be many choices, because everything is either incorporeal, or something on a phone. Maybe a suitcase. Maybe a pencil. Maybe a clock. It would be odd to wake up in 50 years and look at the interface, and the icons are “gun, cricket, firecracker, coffee cup.”
Texting makes language into vowel-free grunts, interfaces reduce us to stabbing pictograms. Both reduce the range of thought and expression. The Eloi were probably illiterate.
We're going to be doing a lot of Dragnet for a while, and not because it was a fantastic great wonderful paradigm-establishing rule-breaking TV show. It was not. But it was a product of the old overculture, asserting itself in the middle of societal fragmentation and breakdown, and provides a great view of Square America. Then there's the introduction. Every episode began as promotional video for the epitome of American urban progress, Los Angeles. This is the city. As if Joe Friday was your go-to guy for lessons on the burgeoning theater community.
Then there's the look of the sets. If Wes Anderson had directed an episode, and had a double-vision problem that kept him from framing things to his liking:
In the opening moments, Friday describes how the town is changing. There are new restaurants on Sunset Strip! No you're kidding.
Alfie's. Took a while, but I found it.
Friday enthuses over the bold new plans to eliminate the old bygone vestiges of the city for a bright new downtown of tall towers. And here I slammed PAUSE.
It's the Castle, one of the last houses to be hauled away from Bunker Hill.
Another shot of the interiors, and the ham-fisted blocking. You get an idea of the decor of the day, or at least what they thought the rest of the country would think looked like the apartment of a modern young single woman.
Now and then Webb casts from outside his usual stable, and that's where you see a lot of people getting an early break.
It's Angel Hopkins!
Next week: the narration, and the music of LA's biggest PR blitz, brought to you by the greasy hand that stamped MARK VII.
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